Moom tonko house12/3/2022 ![]() ![]() Does she have what it takes to protect her peaceful village from the encroaching presence of the mysterious “Oni” who threaten the gods?ĭaisuke “Dice” Tsutsumi will serve as creator and showrunner on the series. Logline: In a world filled with the oddball gods and monsters of Japanese mythology, one of the creature's free-spirited daughters, Onari, is determined to follow in the footsteps of the mighty heroes of lore, but her unique powers are yet to be revealed. #Moom tonko house series#The series will feature a hybrid of both stop motion and computer generated animation. Netflix is joining forces with Academy Award-nominated animation studio Tonko House ( The Dam Keeper, Moom, Pig: The Dam Keeper Poems), to bring an all-new original series ONI to life. I will care for your music as if it were my own, but will always deliver your vision.Series Comes From Academy Award-Nominated Studio Tonko House Voting member of AES (Audio Engineering Society), NARAS (National Association of Recording Arts and Sciences), MPG (Music Producers Guild), & MPSE (Motion Picture Sound Editors) #Moom tonko house software#Guest Audio Faculty at the world-renowned Banff Centre for the Arts (1999-2016)ĭeveloped and coded key analytical algorithms for Monogram Biosciences ETag Informer software used in biopharmaceutical research at GlaxoSmithKline, Pfizer, and LabCorp Three Golden Reel nominations for best Music Editing in a Feature Film Instrument programming for Peter Asher, Graham Nash, and Anna VissiĢ019 Golden Reel Award - Outstanding Achievement in Sound Editing - Special Venue Noise reduction & artifact removal for Lady Gaga, The San Francisco Symphony, and The Colorado Symphony Recording Engineer for the SF Jazz Collective’s “The Music of Stevie Wonder” record. Mixing Engineer for Michael Franti & Spearheads iconic “Stay Human” album. Lawrence String Quartet & Christos Hatzis The Awakening (EMI)īalance Engineer for the Tin Alley String Quartet's Haydn Opus 20 Quartets (Move Records)Ītmos Mixing for the San Francisco Symphony’s binaural release of Henry Brant’s “Ice Field” (SFS Media) Mixing & Digital Editing for John Adam's The Dharma at Big Sur (Nonesuch)īalance Engineer, Mixing, Digital Editing, & Mastering for The St. Producer, Digital Editing, Mixing, & Mastering for Elena Ruehr's Averno (Avie Records) Music Editor & Scoring Mixer for Tonko House's animated short Moom (composers: Zach Johnston & Matteo Roberts)īalance Engineer, Digital Editing, & Mastering for the Cypress String Quartet's Beethoven: The Complete Quartets (Avie Records) Scoring Mixer for The Aviator OST (composer: Howard Shore) #Moom tonko house movie#Music Editor for Downton Abbey: The Movie (composer: John Lunn) Music Editor for Riverdance “The Animated Adventure” (composer Bill Whelan) Music Editor for Darkest Hour, Paddington 2, Bumblebee (composer: Dario Marianelli) Scoring Engineer & Mixer for Korean feature 2009: Lost Memories - recorded in Moscow & mixed in Seoul (composer: Dong-Jun Lee) Scoring Mixer & Music Editor for Google’s Spotlight Stories Age of Sail VR animated short (composer: Scot Stafford) ![]() Music Producer & Scoring Mixer for Webzen's Soul of the Ultimate Nation MMORPG (composer: Howard Shore) Supervising Music Editor for Sir Peter Jackson's Hobbit Trilogy & The Lord of the Rings: The Return of the King (composer: Howard Shore) My goal is always to be able to step back and be absorbed by recordings on an emotional level - to not be conscious of the speakers, the processing, the mixing, the microphones. Much like a performer my craft requires a lifetime of never-ending practice and improvement, as well as the need for the technique to become second nature so that I can focus on the music. ![]()
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